The Sound of Poetry / The Poetry of Sound
Soundâ"one of the central elements of poetryâ"finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental connections between poetry and soundâ"connections that go far beyond traditional metrical studies.
Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the contemporary avant-garde, the contributors to The Sound of Poetry/The Poetry of Sound explore such subjects as the translatability of lyric sound, the historical and cultural roles of rhyme, the role of sound repetition in novelistic prose, the connections between âsound poetryâ and music, between the visual and the auditory, the role of the body in performance, and the impact of recording technologies on the lyric voice. Along the way, the essays take on the âensemble discordsâ of Maurice Scèveâs Délie, Ezra Poundâs use of âChinese whispers,â the alchemical theology of Hugo Ballâs Dada performances, Jean Cocteauâs modernist radiophonics, and an intercultural account of the poetry reading as a kind of dubbing.
A genuinely comparatist study, The Sound of Poetry/The Poetry of Sound is designed to challenge current preconceptions about what Susan Howe has called âarticulations of sound forms in timeâ as they have transformed the expanded poetic field of the twenty-first century.
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Poetry for Young People: Emily Dickinson
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Â"Bolinâs four-page introduction describes and explains Emily Dickinsonâs odd lifestyle and creative productivity...prettily colored watercolors.âÂSchool Library Journal
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